The third edition of Mic Tribe, held at Mundi Center on Saturday, February 7, celebrated hip-hop through powerful performances, although organisers may need to take stock after this year’s show attracted lower attendance than previous editions. Despite the turnout, the event stood out for its punctuality and smooth flow. Performances followed one another without unnecessary delays—an uncommon but welcome feature at live shows—with the final act taking the stage around midnight. ALSO READ: Mic Tribe returns bigger, louder as Rwanda’s rappers command the stage One attendee acknowledged the dip in numbers but praised the overall execution. “Attendance was lower than expected, but apart from that, everything went really well. This remains a flagship hip-hop event that gives Rwanda’s hip-hop scene a centre stage to showcase both legendary figures and new talent,” the attendee told The New Times. Congolese rapper Yosh B was among the early performers, warming up the crowd with a confident set. He was followed by Pro Zed, who took to the stage ahead of Logan Joe, maintaining the momentum and keeping the audience engaged. Pro Zed—who has transitioned from being known primarily as a producer to establishing himself as a recording artiste—delivered one of the night’s standout performances with tracks such as Coupon Couper and Hano Kuhaguma, further cementing his growing reputation as a live performer. Logan Joe kept the energy steady with a set that included some of his best-known songs, notably Whatever, his collaboration with Kivumbi King. One of the lighter moments of the night came when a fan joined him on stage and flawlessly delivered Kivumbi King’s verse, drawing loud approval from the crowd. Despite the relatively modest turnout, the atmosphere remained lively, with fans fully engaged—rapping along and responding enthusiastically to each act. As the night progressed, B Threy stepped on stage and delivered one of the most memorable performances of the evening, running through breakthrough tracks such as Nihe and Ni Tuebue, alongside other fan favourites. The event concluded with Bull Dogg, who took the audience on a nostalgic journey through old-school hip-hop. Drawing from classics such as Amaganya by Tuff Gang—his former crew—along with Cinema and Isugi, Bull Dogg closed the night on a high, early-2000s note. While the crowd numbers may not have matched previous editions, the third Mic Tribe once again reaffirmed its role as a vital platform for Rwandan hip-hop, successfully blending legacy acts with emerging voices in a well-executed and energetic showcase.
