When it comes to realism, few young artists in Kigali match the intensity and detail of Sam Boneza. The 28-year-old, who is of Congolese descent, moved to Rwanda with his family and is now quietly building a name for himself, not just with his art, but with the message behind it. Boneza often spends his time sketching or exhibiting at Kwetu Film Institute in Gacuriro, Kigali. When we sat down to for a one-on-one, the first question was simple: What kind of artist do you hope to be remembered as? ALSO READ: Inside King Ngabo’s digital platform for preserving Genocide stories “I want to be an artist who speaks to people—to the world, really,” he replied. “Art is how I try to connect with society and human nature. Many of my pieces carry a message of connection and encouragement. I want my work to have an impact.” He admits the journey into the public eye didn’t begin easily. Like many artists, he faced self-doubt. “I used to wonder if my art was good enough to be exhibited,” Boneza said. “But after finishing 14 pieces, I decided to try. My first exhibition was at Envision Rwanda. I approached the owner, Peter, and he agreed to host it. I was shocked — more than 200 people showed up.” That first crowd stayed with him, not just because of its size, but also because of its diversity. ALSO READ: Rwanda to launch govt.-backed arts council after RSAU shutdown over mismanagement “What I remember is that people of all ages came — people in their 40s and 50s, not just fellow youth. It meant a lot,” he said. “I don’t judge artists who create only to make money. We all have bills to pay. But when you're creating just to sell, it can feel rushed. I prefer taking my time, being creative, and expressing what’s inside me.” Boneza draws inspiration from the people around him, especially those with experience and wisdom to share. “I try to live with good energy, to connect with people, especially older ones. Even before I ever invited anyone to an exhibition, I’d go to their weddings or events. I think that’s why they showed up for me. It wasn’t just about art — it was about community.” While Boneza also accepts portrait commissions, he says his more personal works, particularly his contemporary pieces, carry a deeper message. One of his signature pieces, Profile 40, features a series of drawn figures positioned side by side, above and below each other, each one inspired by a prominent historical figure. The work, he explains, is meant to show the younger generation that greatness requires sacrifice, discipline, and the courage to create beyond their comfort zones. “There are millions of people who’ve made an impact — in politics, religion, so many fields,” he said. “I wanted to highlight a few and show the younger generation that greatness requires sacrifice and hard work. You can’t stay in your comfort zone. You have to create, but you also have to connect with the world outside your studio. You never know who will support your work.” For Boneza, the message is clear: art should be more than decoration. It should be a bridge between people, across generations, and toward something meaningful. He believes every artist must keep creating, regardless of resources or circumstances. “We live in a small world, and people feel differently about art,” he said. “Some are drawn to photography, others to painting, and we all like different things. As an artist, you have to keep going with whatever tools you have. Today you might have paint, tomorrow you might not, but you still have to create.” For Boneza, success isn’t about material wealth, but about living honestly and continuing to create. “I’m alive and still doing art without stealing from anyone. That’s an achievement,” he said. “I have even managed to buy a small piece of land. That’s something I’m proud of.” Still, the lack of a consistent market remains a challenge. “There are many artists but few buyers,” he said. “Without a market, there’s no income. But I have hope. Our leaders are trying to uplift every corner of this country. I believe artists can find a way forward.” Where the journey began Boneza’s passion for art took root in childhood, though it didn’t become serious until his teenage years. “I grew up loving art, but it wasn’t serious at first,” he said. “In secondary school, I started visiting artists and joining groups. When I paint, I feel like myself — like I’m bringing something out that’s been inside me.” His early school years were marked by hardship as he recalls days when he couldn’t go to school because of school fees or other problems. He dropped out in senior five and started working small jobs, but continued pursuing art on his own. “I visited galleries, talked to artists. Some gave me advice, others turned me away. They said I needed more skills before coming back.” A turning point came when he met a visiting Dutch artist who showed him the way. “She took a liking to me and started teaching me techniques—how to use light and shadow to bring art to life,” he said. “But after a year, her husband got sick and passed away. She came back to Rwanda just to say goodbye.” After that, Boneza committed fully to developing his craft. “I tried to connect with the art world however I could,” he said. “I don’t like to say I’m self-taught, because learning from others, even online, is also a form of school.” He credits access to YouTube and digital tutorials for helping him refine his skills. “I watched how artists mixed colors, how they created depth. That was part of my journey, too.”
